Action strings kontakt tutorial how to#
Action strings kontakt tutorial Patch#
Action strings kontakt tutorial software#

The key is to play around with different buffer settings to find the lowest possible combination while maintaining stability. If I decide to use Keyscape, Omnisphere, and Sylenth in MainStage along with just one string sound in Kontakt standalone, I may use these settings.

If I decide to use Keyscape in MainStage along with Kontakt as an external instrument, these setting would be more realistic. MainStage and the standalone Kontakt app have individual buffer size settings, and a compromise must be made somewhere.Р”Р‡or example, if IРІР‚в„ўm using MainStage only as a control interface and FX processor for Kontakt, IРІР‚в„ўd be comfortable with the following buffer settings. Since audio is being routed through MainStage now, I can use the faders to control volume.Р”В«e aware that this method, while the best option by far, isnРІР‚в„ўt completely foolproof. Notice my expression dials are all at 127 now. The latest version of Soundflower (that works with MacOS Sierra) can be downloaded here.Р”Р„fter installing Soundflower, navigate to System Preferences/Audio. Since ADAT is a completely digital connection, there wonРІР‚в„ўt be any latency penalties from AD and DA conversions. ADAT LoopbackР”Р„udio interfaces with ADAT I/O can also be used for near-zero latency loopback. Audio interfaces from RME, MOTU (AVB), and iConnectivity support this feature.

Action strings kontakt tutorial software#

Higher end audio interfaces will often have loopback capability in their respective software mixers. Similar to the IAC Driver, Soundflower lets you route up to 64 channels of audio between applications. Soundflower is an OS X kernel extension that adds a РІР‚Сљvirtual audio interfaceРІР‚Сњ to your computer. Similar to the MIDI loopback, there are a few solutions. Thus, the solution is to route the audio from Kontakt to MainStage. It doesnРІР‚в„ўt allow for effects processing inside MainStage because audio is being routed from Kontakt straight to your sound card or audio interface. Instead, IРІР‚в„ўve used the expression dials to mix the patch. Hardware LoopР”Р„s you may have noticed, these MIDI output assignments correspond directly to KontaktРІР‚в„ўs MIDI input settings.Р”В«e aware that moving the volume faders will have no effect because audio doesnРІР‚в„ўt originate from MainStage in this setup. MacOS ships with IAC (Inter-Application Communication) Driver, a virtual MIDI interface that enables transmission of MIDI data between different pieces of software. There are two ways to do this - software and hardware.

Action strings kontakt tutorial how to#

The first task is to figure out how to send MIDI data from MainStage to Kontakt. However, external instrument channel strips can also be used to control software - the Kontakt standalone application. In MainStage, external instrument channel strips are used to control tone generators outside of MainStage - often hardware synthesizers. With that said, I have to assume this was a MainStage/Kontakt compatibility issue because the dozens of instances of Keyscape and Omnisphere in the same concert worked flawlessly. Fortunately, the horns ended up getting cut in a new orchestration.

Action strings kontakt tutorial Patch#

This resulted in laggy patch changes (the longest change took a full five seconds) and occasional audio glitches. On a recent show, I decided to use a few Session Horns presets in a multitimbral setup. In the screenshot above, you can see Channel 1 is set to 127, Channel 2 is set to 100, and Channel 3 is set to 60.Even with proper programming technique, performance issues can still arise when using multitimbral instances of Kontakt in MainStage. A workaround is to use the expression dial at the top of the channel strip to balance volume. Thus, moving the volume fader on the alias for Channel 1 will have the same effect on Channel 3. Multiple aliases of the channel strip located within one patch are globally affected by the volume fader. In other words, the left-most alias is Channel 1, the middle alias is Channel 2, and the right-most alias is Channel 3. For example, I always use ascending MIDI channels from left to right. Stay organized by sticking to a single protocol and workflow.

This means itРІР‚в„ўs not possible to give different names to the channel strips in the above screenshot. Keep in mind a channel stripРІР‚в„ўs name and color apply to all aliases.